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photo by Roy Ryan (copyright). Rodger shannon Uluru
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Rodger Shannon Uluru is the son of a Pitjanjtjatjara man from Uluru and Adnyamathanha mother from the Flinders Ranges. His art has sold all over the world and he is held in high regard in cultural matters. He has accompanied Outback Art on numerous Art Exhibitions in Sydney, Canberra, Melbourne and other venues over the years.
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| Rodger Shannon Uluru 1009 | |
| 450*710 mm | |
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Honey ants seen in the underground tunnells
Commission orders taken
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| Rodger Shannon Uluru 0803.3 | |
| 745*310 mm | |
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Honey ants seen in the underground tunnells
Commission orders taken
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| Rodger Shannon Uluru 1005 | |
| Canvas 600*600mm | |
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A long time ago kuniya came to uluru bringing her eggs stuck to her neck with glue and settled on the eastern side. However, liru, the poisonous snake species came from the west and a big fight developed, the scars of which are still visible on "the rock". Eventualy, kuniya triumphed and laid her eggs. Kuniya is still a very strong totem at uluru and as they are snakes and it is the female snake that lay eggs, the eastern side of uluru contains a womens' sacred site which belongs to all women of the world.
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| Rodger Shannon Uluru 1009 | |
| Canvas 690*480 mm | |
| great painting very moving | |
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A long time ago kuniya came to uluru bringing her eggs stuck to her neck with glue and settled on the eastern side. However, liru, the poisonous snake species came from the west and a big fight developed, the scars of which are still visible on "the rock". Eventualy, kuniya triumphed and laid her eggs. Kuniya is still a very strong totem at uluru and as they are snakes and it is the female snake that lay eggs, the eastern side of uluru contains a womens' sacred site which belongs to all women of the world.
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| Rodger Shannon Uluru 1009 | |
| Canvas 575*290 mm | |
| great painting | |
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A long time ago kuniya came to uluru bringing her eggs stuck to her neck with glue and settled on the eastern side. However, liru, the poisonous snake species came from the west and a big fight developed, the scars of which are still visible on "the rock". Eventualy, kuniya triumphed and laid her eggs. Kuniya is still a very strong totem at uluru and as they are snakes and it is the female snake that lay eggs, the eastern side of uluru contains a womens' sacred site which belongs to all women of the world.
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| Rodger Shannon Uluru 1102.17 | |
| Canvas 575*290 mm | |
| great painting | |
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A long time ago kuniya came to uluru bringing her eggs stuck to her neck with glue and settled on the eastern side. However, liru, the poisonous snake species came from the west and a big fight developed, the scars of which are still visible on "the rock". Eventualy, kuniya triumphed and laid her eggs. Kuniya is still a very strong totem at uluru and as they are snakes and it is the female snake that lay eggs, the eastern side of uluru contains a womens' sacred site which belongs to all women of the world.
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| Rodger Shannon Uluru 1012.18 | |
| Canvas 575*290 mm | |
| great painting | |
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A long time ago kuniya came to uluru bringing her eggs stuck to her neck with glue and settled on the eastern side. However, liru, the poisonous snake species came from the west and a big fight developed, the scars of which are still visible on "the rock". Eventualy, kuniya triumphed and laid her eggs. Kuniya is still a very strong totem at uluru and as they are snakes and it is the female snake that lay eggs, the eastern side of uluru contains a womens' sacred site which belongs to all women of the world.
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| Rodger Shannon Uluru 1101.2 | |
| Canvas 830*365 mm | |
| great painting | |
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A long time ago kuniya came to uluru bringing her eggs stuck to her neck with glue and settled on the eastern side. However, liru, the poisonous snake species came from the west and a big fight developed, the scars of which are still visible on "the rock". Eventualy, kuniya triumphed and laid her eggs. Kuniya is still a very strong totem at uluru and as they are snakes and it is the female snake that lay eggs, the eastern side of uluru contains a womens' sacred site which belongs to all women of the world.
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| Rodger Shannon Uluru 1101.2 | |
| Canvas 630*370 mm | |
| great story | |
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Rodger Reminesses In This Painting The Many Blissful Nights He Has Slept Under The Stars After A Good Night Around The Campfire. He Imagines His Ancesters Similarly Reclined And Enjoying The Same Magnificent Heavens. Dominating All, To The South The Most Spectacular Constellation Of Them All, "The Southern Cross". The Five Main Stars Of The Southern Cross-Are Depicted Here By The Concentric Circles .
Rodger Is Hopeful That Viewers Of The Southern Cross Will Be Drawn To Remember The People Who Were Here Before, Their Life Style And Their Culture. The Painting Represents Another Direction For Rodger As He Has Parted From His Usual Use Of Four Basic Colours To Present A Very Hypnotic And Haunting Painting In Its Simplicity.
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